Cassidy George is a freelance culture writer whose work has been featured in The New York Times, The New Yorker, Vogue, GQ, Rolling Stone, The Cut, W, Dazed, i-D and more. She is a reporter-at-large for 032c and the host of Hausverbot.
She began her writing career at SLEEK magazine in Berlin. In 2021 she joined 032cs editorial team, where she previously worked as digital editor.
On freelance assignments, Cassidy has sipped White Russians with Elvis impersonators for The New York Times, dodged rubber bullets at BLM protests for W, befriended bisexual pirates for GQ, and helped reunite the members of America’s first Black punk band for Dazed. Though she writes across disciplines, the stories Cassidy tells are connected by her desire to understand how history, politics and power structures shape every aspect of our (counter)culture, from the selfies we take, to the clothing we wear and the lyrics we sing.
Her full list of editorial clients includes: The New York Times, The New Yorker, Vogue, GQ, Rolling Stone, The Cut, W, BBC, Dazed and Confused, i-D, AnOther, PAPER, Resident Advisor, Vice, Highsnobiety, Mixmag, The Face, 032c, Huck, Document Journal, King Kong, Electronic Beats, INDIE, SLEEK, Replica, NR and Directions.
For the cover of NR 18, I spoke with rapper Denzel Curry. "When some people hear the name Denzel Curry, they think of the explosive chorus of his high-octane hit “Ultimate.” Others may think of his viral music video for 'Ricky'––which recreates the backyard brawls Curry attended in his hometown of Miami––or the fact that he toured with superstar Billie ...
“Black people matter, Black spaces matter, Black objects matter,” reads a sign at the entrance to the Stony Island Arts Bank. The grand, 1920s building, a former bank in Chicago’s South Side neighborhood, was crumbling and abandoned before artist Theaster Gates salvaged it ...
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Cassidy George
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